Greek Tragedy
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This is an invaluable introduction to ancient Greek tragedy which discusses every surviving play in detail and provides all the background information necessary for understanding the context and content of the plays. Edith Hall argues that the essential feature of the genre is that it always depicts terrible human suffering and death, but in a way that invites philosophical enquiry into their causes and effects, This enquiry was played out in the bright sunlight of open-air theatre, which became a key marker of the boundary between living and dead. The first half of the book is divided into four chapters which address the social and physical contexts in which the plays were performed, the contribution of the poets, actors, funders, and audiences, the poetic composition of the texts, their performance conventions, main themes, and focus on religion, politics, and the family. The second half consists of individual essays on each of the surviving thirty-three plays by the Greek tragedians, and an account of the recent performance of Greek tragic theatre and tragic fragments. An up-to-date 'Suggestions for further reading' is included.Features
- Unified by its overarching argument that what distinguishes Greek tragedy is its serious enquiry into suffering
- Individual essays on all the plays enable the reader to understand each of the texts as well as the general background to the dramas
- Author's active involvement in several professional productions underlies her cutting-edge engagement with current issues in the field
Reviews
"...as fine a book on the subject of Greek tragedy as I have ever read. An indispensible read." --Classical Journal
About the Author(s)
After holding posts at the universities of Cambridge, Reading, Oxford, and Durham, Edith Hall took up a Research Chair in Classics and Drama at Royal Holloway, University of London, in 2006, where she directs the Centre for the Reception of Greece & Rome. She is also Co-Founder and Co-Director, with Oliver Taplin, of the Archive of Performances of Greek & Roman Drama at the University of Oxford, and Chairs the Gilbert Murray Trust. Besides regularly acting as consultant on professional productions of ancient Greek drama, she has contributed to numerous radio and television programmes on ancient Greece and Rome and their legacies in the modern world.
